keith jarrett transcriptions complete pdf

He also said that most people don’t know “what he does”, which relates to what Miles Davis said to him expressing bewilderment – as to how Jarrett could “play from nothing”. Jarrett has commented that his best performances have been when he has had only the slightest notion of what he was going to play at the next moment.

In the liner notes to Vienna Concert, Jarrett named the performance his greatest achievement and the fulfillment of everything he was aiming to accomplish: “I have courted the fire for a very long time, and many sparks have flown in the past, but the music on this recording speaks, finally, the language of the flame itself.” These later concerts tend to be more influenced by classical music than the earlier ones, reflecting his interest in composers such as Bach and Shostakovich, and are mostly less indebted to popular genres such as blues and gospel. Sounding more like a set of short compositions, these pieces are nonetheless entirely improvised.Īfter a hiatus, Jarrett returned to the extended solo improvised concert format with Paris Concert (1990), Vienna Concert (1991), and La Scala (1995). The studio albums are modestly successful entries in the Jarrett catalog, but in 1973, Jarrett also began playing totally improvised solo concerts, and it is the popularity of these voluminous concert recordings that made him one of the best-selling jazz artists in history.Īlbums released from these concerts were Solo Concerts: Bremen/Lausanne (1973), to which Time magazine gave its ‘Jazz Album of the Year’ award The Köln Concert (1975), which became the best-selling piano recording in history and Sun Bear Concerts (1976) – a 10-LP (and later 6-CD) box set.Īnother of Jarrett’s solo concerts, Dark Intervals (1987, Tokyo), had less of a free-form improvisation feel to it because of the brevity of the pieces. Book of Ways (1986) is a studio recording of clavichord solos. He has continued to record solo piano albums in the studio intermittently throughout his career, including Staircase (1976), Invocations/The Moth and the Flame (1981), and The Melody at Night, with You (1999). Jarrett’s first album for ECM, Facing You (1971), was a solo piano date recorded in the studio. Most parts of these recorded sets were released in 2007 on The Cellar Door Sessions featuring four improvisations by Jarrett. These were done on electric pianos ( Rhodes and Contempo), which Jarrett was loath to perform on. Jarrett recorded a few solo pieces live under the guidance of Miles Davis at Washington’s music club The Cellar Door in December 1970. In 2008 he was inducted into the Down Beat Jazz Hall of Fame in the magazine’s 73rd Annual Readers’ Poll. His album The Köln Concert (1975) became the best-selling piano recording in history. In 2003 Jarrett received the Polar Music Prize, the first recipient of both the contemporary and classical musician prizes, and in 2004 he received the Léonie Sonning Music Prize. His improvisations draw from the traditions of jazz and other genres, especially Western classical music, gospel, blues, and ethnic folk music. Since the early 1970s he has enjoyed a great deal of success as a group leader and a solo performer in jazz, jazz fusion, and classical music. Jarrett started his career with Art Blakey, moving on to play with Charles Lloyd and Miles Davis. Keith Jarrett (born May 8, 1945) is an American jazz and classical music pianist and composer.

Keith jarrett transcriptions complete pdf